The Neighborhood Sitar Virtuoso

Yeah, we got 'em on every other street corner around here.

Last night Opera Theatre of St. Louis and the Missouri History Museum co-hosted a panel discussion about OTSL's upcoming production of Shalimar the Clown, based on Salman Rushdie's novel of the same name. We had a post about it a couple of months ago when Rushdie was in town.  The panel included Opera Theatre's general director, the composer, librettist, stage director and a scholar of South Asian history and culture.

The featured guest was the sitar virtuoso Arjun Verna, who was a consultant on the score and will play with members of the St. Louis Symphony during the performance. The sitar is a very complex, difficult and subtle instrument. Verna explained the concept or ragas and played excerpts from the opera score. We'll be at opening night on June 11.

I still have some material from the People's Joy Parade and haven't even started the Cinco de Mayo festival yet.           

Salman Rushdie In St. Louis

The first of Salman Rushdie's novels to get attention, Midnight's Children, didn't catch me. When it was published in 1981 to enormous acclaim, I had one and five year old children and a growing law practice. When The Satanic Verses was published seven years later, everyone heard about the fatwā calling for Rushdie's death issued by Ayatollah Ruhollah Khomeini, then Supreme Leader of Iran. I bought a copy of the book and was completely sucked in.

By that time I had only a passing acquaintance with magical realism through the work of Gabriel García Márquez. As I started reading The Satanic Verses I was astonished by the victim of a high-altitude airliner bombing floating safely to earth, arriving without a bruise in Ellowen Deeowen. It  took me the longest time to understand that. Sound it out, slowly.

I became a Rushdie fan for life and have read almost all his books. On June 11, our glorious Opera Theatre of St. Louis will present the world premier of a work based on Rushdie's Shalimar the Clown, a tale of love, betrayal and revenge. We've been subscribers for at least 35 years. As an out-of-town newspaper review said a couple of years ago, if you want to see the future of opera, go to St. Louis. Rushdie, the composer Jack Pirla and Opera Theatre's general director Timothy O'Leary discussed the work yesterday at The Sheldon Concert Hall. What an afternoon. Rushdie has gotten older, balder and broader of beam but you couldn't miss the discussion about whether 50 shades of something could be turned into an opera.  

Mrs. C and I will be at opening night.