Moving on from outdoor sculpture for a while. Lots of different material coming up because it's silly season in St. Louis (not that people take us very seriously). Mardi Gras is a big deal here. I think it started with community organizations but it's all commercialized now-still fairly crazy but orderly enough. Yesterday was the traditional dog parade, sponsored by Purina, the pet food company that is headquartered here. Lots of wacky puppies with owners to match.
Another piece by Igor Mitoraj downtown, but in a place with less traffic than Eros Bendato, seen here a number of times (https://tinyurl.com/nhj8hufr). It's called Torso Di Ikaro, Torso of Icarus, and I find it puzzling. It looks to be neither flying or crashing to earth, although the six-pack abs are ready for great effort. The hollow and its shell could become a balloon, ready to challenge the sun in a way a whole body could not. There is a bit of discussion at https://racstl.org/public-art/torsi-di-ikaro/ .
This picture was taken yesterday, Friday. By the time you see this post the sculpture will probably be gone from the site. Synergism by William Conrad Severson and Saunders Schultz has sat at this corner downtown for 50 years (some background at https://racstl.org/public-art/synergism/). It is a mirrored stainless steel cube within a cube within a cube, playing wonderful visual tricks with its surroundings. There was an article in yesterday's newspaper, https://tinyurl.com/2zkx6um5, stating that it is being removed today for extensive restoration. At a later date it will be reinstalled in a park in the nether suburbs. Another loss for downtown.
Mariposas, butterflies in Spanish. This unusual work is found on the side of the Central Branch of the St. Louis Public Library, a wonderful building worth exploring for its own sake. It seems like a perfect metaphor for the wonders of reading. Now, if I could only get my granddaughter's face out of the Roblox screen , , ,
Big Brother may actually be watching you. We in the United States have reason to worry about such things these days. Tony Tasset's Eye at Laumeier Sculpture Park could have cameras embedded in it for all we know. Keep your head down.
One more by Harry Weber. Actually, this is just across the river in East St. Louis, Illinois. Malcolm Martin was a corporate lawyer in a big firm. My tiny firm was in the same building so I saw him around on occasion. He was successful, never married and wanted to do some good with his money. The land directly across the Mississippi from the Arch was vacant. Martin wanted to establish a viewing point for the river, Arch and downtown, preserved for the public. His bequest made it happen. It's a wonderful place.
This is an old picture. The object behind Martin is a one of many sculptured cakes marking the 250th anniversary of the founding of St. Louis.
Chuck Berry is a native St. Louisan. In his later years he lived with family in a compound on the edge of the area. He frequently performed in a small space in the basement of locally famous Blueberry Hill, a bar and restaurant across the street from this statue. The performance venue was known as The Duck Room, after Berry's signature walk.
This is another work by Harry Weber. I knew him slightly since he asked to use my picture of another of his statues (see tomorrow) in a book about his stuff. He said he would send me a copy of the book. He didn't. Nobody ever does. (Talking about you, Museum of Modern Art.) What Weber did do is get me into the private reception for Berry at Blueberry Hill, resulting in this picture - https://tinyurl.com/cdce9hhh .
