One of the most interesting things about the late International Bowling Museum and Hall of Fame is the large area devoted to women bowlers and the Women' International Bowling Congress. The greater part of it contains scores of portraits like the ones you see here. They are all formulaic but there are interesting little differences. Who gets blue and who gets gray backgrounds? What's with the one in pink? What if anything do these paintings tell us about the subject? I think the best one is the Italian-looking woman on the right of the top photo, who looks like she is about to leap out of the plane of the picture. By the way, IMHO the last photo is the best image I've made in some time. Your results may vary. Which portrait appeals to you the most? Why? WHAT I FOUND OUT TODAY: St. Louis has an ambitious little semi-pro opera company, New Opera St. Louis, that puts on one or two productions a year in church halls or school auditoriums. We just heard that they are doing a rarely performed gem this weekend, Camille Saint-Saëns' Samson and Delilah, in the sanctuary of a local Jewish temple. We say: be there or be square. This burgh has three opera companies. How about that?
TOMORROW: they say white men can't jump. But they sure can bowl.
COME BACK THURSDAY FOR A SPECIAL ANNOUNCEMENT
