Friday, August 30, 2019

STL DPB on the road - TEMPS ET ART


I take a picture like the first one every time I am in Paris. It is the clock tower in the northeast corner of the top floor of the Orsay Museum, obviously set up for visual impact. Can't go wrong.

The big show was about Berthe Morrisot, the only woman who elbowed her way into the Impressionists' circle (except maybe for the American, Mary Cassat). It was stunning. I had heard of her, maybe seen an image or two, but knew nothing about her. Her style is often quite loose, shapes dissolving into colored air with a flick of the brush. Note how two strokes define the crimson lips in the detail below from Girl With A Bowl Of Milk. The subject may be her daughter, Julie. If there were time, this would be worth a second visit.       



2 comments:

  1. She had wonderful talent. Our National Gallery has a couple of her works, and I've seen several more from an exhibit that was here a year or two back.

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  2. The girl in this painting looks a tad like Madeleine, n'est ce pas?

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